Side One:
1.) JOHNNY CUCKOO (4:27) adaption of a children's game song learned from Bessie Jones, a negro woman from St. Simon's Island, Georgia
2.) JUMPING JUDY (3:55) an ax song, sometimes called "Drive it On," from the unaccompanied singing of convicts, Cummins State Farm, Arkansas, 1934. Played in an open G-tuning.
3.) GLORY, GLORY (2:34) traditional negro hymn, the tune relating closely to the Southern white hymn, "Will the Circle Be Unbroken?"
4.) OLD JOE'S DULCIMER (2:55) a medley of dance tunes including "Old Joe Clark," "Swing and Turn," "Darlin' Corey," etc.
5.) WOBBLE BIRD (2:44) a variation on "The Cuckoo," in 3/4 time.
6.) WILDWOOD FLOWER (1:56) instrumental on the well known Carter song.
7.) OVERSEAS STOMP (2:43) in the spirit of the 1927 Memphis Jug Band.
Side Two:
1.) LONZO N'HOWARD (3:30) learned from Tom Shoemaker of Harlan, Kentucky, who heard it there from a mountain fiddler called Blind Jim. This is probably its first recording.
2.) YOU CAN ALWAYS TELL (3:00) a tune based on Furry Lewis' "Dry Land Blues," with additional verses.
3.) XMAS ISLAND (3:18) a twelve-bar written by Fariña.
4.) STICK WITH ME BABY (3:32) played in an open G-tuning, adapted from the 1928 Lewis, "I Will Turn Your Money Green."
5.) RIDDLE SONG (1:10) traditional, with new answers to fit the old questions.
6.) COCAINE (4:03) learned from Rev. Gary Davis at Indian Neck, 1960.
7.) LONDON WALTZ (3:10) a blues in 3/4 time, music by Fariña, words spontaneous.
1.) JOHNNY CUCKOO (4:27) adaption of a children's game song learned from Bessie Jones, a negro woman from St. Simon's Island, Georgia
2.) JUMPING JUDY (3:55) an ax song, sometimes called "Drive it On," from the unaccompanied singing of convicts, Cummins State Farm, Arkansas, 1934. Played in an open G-tuning.
3.) GLORY, GLORY (2:34) traditional negro hymn, the tune relating closely to the Southern white hymn, "Will the Circle Be Unbroken?"
4.) OLD JOE'S DULCIMER (2:55) a medley of dance tunes including "Old Joe Clark," "Swing and Turn," "Darlin' Corey," etc.
5.) WOBBLE BIRD (2:44) a variation on "The Cuckoo," in 3/4 time.
6.) WILDWOOD FLOWER (1:56) instrumental on the well known Carter song.
7.) OVERSEAS STOMP (2:43) in the spirit of the 1927 Memphis Jug Band.
Side Two:
1.) LONZO N'HOWARD (3:30) learned from Tom Shoemaker of Harlan, Kentucky, who heard it there from a mountain fiddler called Blind Jim. This is probably its first recording.
2.) YOU CAN ALWAYS TELL (3:00) a tune based on Furry Lewis' "Dry Land Blues," with additional verses.
3.) XMAS ISLAND (3:18) a twelve-bar written by Fariña.
4.) STICK WITH ME BABY (3:32) played in an open G-tuning, adapted from the 1928 Lewis, "I Will Turn Your Money Green."
5.) RIDDLE SONG (1:10) traditional, with new answers to fit the old questions.
6.) COCAINE (4:03) learned from Rev. Gary Davis at Indian Neck, 1960.
7.) LONDON WALTZ (3:10) a blues in 3/4 time, music by Fariña, words spontaneous.
via: zerosounds
sejam bem vindo os amigos:
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